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- You have designed the costumes for Tim Burton’s Alice In Wonderland, having worked on so many of his other movies, so how did you two get together?
We met actually through a production designer that I had worked with who recommended me to Tim when we were doing Edward Scissorhands. I met Tim and we hit in off in our interview and he basically hired me right then, which was very exciting.
- What is your working relationship like with him? How closely do you work together is he very hands on in bringing ideas to the table?
Basically we start with the script, we usually have an initial meeting and he talks to me about the general feel of how he sees it and I go off and do my research. I then bring him materials, which he reacts to, and then we go on to the next stage which is the design process.
We start researching fabrics and fabric ideas; he enjoys all the textiles and visual materials, so he sees all that.
Once I start making the clothes he usually comes in on the second fitting, once we have got the initial boring stuff done, and has a look and we take it from there.
- And what makes you keep wanting to work with him?
I really like him as a person, which is very important, but I also admire him as an artist and I’m always excited to see when he is thinking for a project, he has always had a very interesting view on what he wants to see. - REF
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